Tout va pour le mieux dans la vie sans histoires de Fanny... jusqu'au jour où elle découvre que son fils chéri, Arthur, 9 ans, est le bouc émissaire de trois garç(🈂)ons de son école. Fanny ne laissera pas seul son fils face à(💪) ses petits bourreaux : elle va rendre à ces sales gosses la monnaie de leur pièce. Coups fourrés et pièges de cours de récré(😤), désormais ce sera "oeil pour oeil et dent pour dent". When everything comes crashing down, two destructive siblings are trying to maintain a balanced psyche. 银(🎶)(yín )行经理雅各(💘)布(弗兰克(kè )·格(🚏)(gé )里(🗿)(lǐ )罗饰)的同事(🕰)被暴(👜)徒(tú )夺去(qù )生(💟)(shēng )命，而他将和警(😕)察(chá )(布鲁(lǔ )斯(sī )·(🚭)威利(👲)斯饰)联手制服(🦁)凶手(📝)(shǒu )。 UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare. Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo. UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare. 1995年，Jonas是个躲(🦓)在柜中(zhōng )的14岁(suì )男(🔽)孩，他(🌾)对英俊潇洒(sǎ(🏪) )的同(🙄)(tóng )学Nathan一见钟(✂)情，尤其对(duì )Nathan桀骜(à(😰)o )不(bú(🆎) )驯的一面又爱(🐥)又怕(💻)(pà )。18年(nián )后(hòu )，三十而立的Jonas已是(shì(👳) )风流(🌑)倜(tì )傥的熟男(💂)，却仍(🈳)在寻找人(rén )生(🙀)平衡点，因为挥之(🛥)(zhī )不(🔜)去(qù )的回忆阴(🔚)影，他(⏰)回到(dào )睽违(wé(🗼)i )已(yǐ )久的家乡，试(❗)图在(zài )每个(gè )记(jì(🐧) )忆角(🐠)落，寻找早已(yǐ(🙎) )失去(🍧)(qù )的(de )线索、(🍢)14岁的自己，以及他(tā(🏑) )曾经(🏊)爱过的那个男(⏬)孩(há(🥐)i )… 在(zài )贝鲁特一个街角的咖(kā(🚄) )啡店(🎼)(diàn )二(èr )楼，有一(😴)面大(♏)大的(de )转角(jiǎo )窗(chuāng )和一台电视机(🔬)，一(yī(🥣) )位78岁(suì )的(de )退伍(😯)将军(🐮)和一位81岁的退(🤜)伍(wǔ )军医每天早(📴)上都(🚖)会在这里(lǐ )碰(🚽)面，看(🙄)着街角车来(lá(🆑)i )人往(wǎng )，做着填字(🏣)游戏，以(yǐ )此对(duì )抗(😖)(kàng )阿(🤜)茨海默综合症(🚂)。伴随(😐)(suí )两(liǎng )位老(🛹)人的玩笑和字(zì )谜(🚡)，咖(kā(🔳) )啡馆的顾客纷(🚣)纷登(🌧)场。本(běn )片用发生在一个社会(huì(❓) )小角(⚪)(jiǎo )落16天之内的(🐘)一系(👝)列事(shì )件，四(sì(🏆) )两拨千斤地讨论(📗)了(le )人(🏻)生(shēng )、政治、(👹)历史(🙂)等话题(tí )；通(🌚)(tōng )过(guò )单场景多(📦)幕剧(♋)的结构让人(ré(🐗)n )感受(👏)到老人们的孤(🕐)独，以(yǐ )及疾病带(🦌)来的苦涩，同时(shí )映(👟)射出(🗄)黎巴嫩暴力事(😢)(shì )件(🦈)肆(sì )虐(nuè )的(🖤)现状。以小见大(dà )，令(🌨)(lìng )人(🥍)(rén )回味。 “没有名(📷)字(zì(👼) )的我，没有未来的她”